Is Better Late, Then Never
by Frank Meadows
Feb 25, 2017
AS037
music
Is Better Late, Then Never continues Currence’s pointillistic approach to composition. Here, the haptic is concerned with strange architectures: how quietism can be built from concert formalities, the form of sound colliding in flexible spaces, how rhythmic collapse sounds when mechanized to do so, the shape of a body whose melody is becoming voice, the gestalt of a memory as the sound of healing, and the unearthing of crystals that were buried to become hardened.